Hey Everyone,
I talked myself down of that ledge after the last post. Recently a representative from BuckCherry contacted me inquiring my availability this coming year for an upcoming tour with Avenged Sevenfold, Papa Roach, and Saving Abel (I think). Jumping at the opportunity , I immediately expressed interest because these are a great pairing of bands.
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Things have ground down for the year. It seems like for the first time in a while many of my colleagues are looking for work. Heck, I’m even short on gigs. This is usually normal in the music biz around this time of year. But the corporate world has been hit even harder. No big xmas parties anymore. No new year’s extravaganza. For the first time since 9/11 struck, I am seeing a serious decline in trade shows and business meetings.
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Taking a famous literary work and putting it onstage as a Broadway musical is bound to draw fire from critics and purists, and A Tale of Two Cities is certainly no exception.
“If you’re doing something that’s derived from the classics there is almost no way past the critics because the past belongs to the critics, and they will always tell you how it should’ve been done,” remarks Tale scenic designer Tony Walton, a 51-year veteran of the business. He also notes: “Shows that are accessible in a big way to a popular audi-ence seem to carry within them the seeds of seething fury for the critics.”
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Turning the Set Upside Down and Inside Out
When Tom Petty and the Heartbreakers go out on tour, they’re typically playing to sellout crowds. With the increasing demand for tickets, production designer Jim Lenahan was given a mandate at the start of Petty’s recent tour: keep 270 degrees of viewing angle.
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An American Movie Palace Gets a Lighting Makeover
The Michigan Theater in Ann Arbor is one America’s original movie palaces. Built in 1928 during the silent movie era, the theatre also hosted vaudeville stage shows — it is still home to a 1927 Barton Theater Pipe Organ — before giving way to talkies and live musical performances.
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From Junkyard Theft to Living the Dream
Petty theft doesn’t pay, but it can lead to a dream job in the entertainment lighting industry. In this month’s PLSN interview, we speak with Robb Jibson, who explains how his deviant behavior led him to the lighting industry and why he’s living the dream.
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It’s a shame that we even have to bring up this subject. But lately it’s becoming more and more necessary to lock up your gear on site, especially when you leave it overnight at a venue.
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When you think of the great production supply centers of North America — New York City, Los Angeles, Chicago, Dallas, Toronto — one place just might slip your mind: Queensbury, N.Y. Believe it or not, from this idyllic setting, many lighting projects around the country are designed, managed and supplied, including theatres, convention centers, performing arts centers and schools in Pittsburgh, Penn., Peoria, Ill., Chattanooga, Tenn. and Columbia, Ga.
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It’s time for a break, dear readers; a break from hanging lights, calculating pixels, equalizing the RF mics and tracking down that lost DMX512 universe. When this issue hits the stands, we’ll be deep into the NFL playoff season, and so what better time than now to devote an entire column to a topic dear to our hearts — football and video!
Read More »The world is teetering on the brink of the Great Depression, The Sequel. Now for another piece of amazing news: The financial mugging being perpetrated on much of the manufacturing sector in the U.S. seems to have thus far avoided crippling many entertainment-related businesses. There may be an empty seat or two for a Cher or Bette show at Caesars, but you can bet money that all the lights will be working.
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The production world needs inverted lighting like up needs down, black needs white, and yin needs yang. Some luminaires, like automated fixtures, come with their own built-in floor stands and need no accessories to stand in an inverted position. Others, like PAR cans and Lekos, not so much.
Read More »Dear Swami,
I work for a lighting company and we have a slew of power draw sheets that look nice on paper, but never seem to be entirely correct when I do a load test on a show site. I asked someone here if they knew why that is and they mentioned something about multiplying by the square root of three. What are they talking about?
—Confused Electrician
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