The creative design team for the Dreamstate SoCal music festival took fans on an evolving journey across the universe. Designed by Erik Mahowald of Bending Lite Productions with animation overseen by Brent Bucci of The VJ Collective, the event was filled with vibrant colors, mind bending imagery, and immersive 3D features along with CHAUVET fixtures.
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Kevin Northrup, Lighting Designer for Luke Combs, chose an array of Ayrton fixtures for the singer-songwriter’s recent stadium tour of Australia and New Zealand. The new tour, the first for a country artist headlining a full stadium tour in Australia and New Zealand, played eight dates in January and February in Auckland, Brisbane, Sydney, and Melbourne.
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The 2025 edition of The Maine’s 8123 Fest transformed the Mesa Amphitheatre in Arizona into an electrifying experience enhanced by ADJ Lighting’s Jolt Panel FX, Jolt Bar FX, and HEX Panel IP fixtures. These fixtures played a crucial role in Production/Lighting Designer Carlos Katsurayama’s rig, creating an immersive visual spectacle for fans of the alt rock band.
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Regina Spektor’s recent performances at Thalia Hall in Chicago along with earlier shows in Brooklyn were enhanced by vibrant lighting effects, thanks to the use of MEGA-LITE Circa Scoop LED fixtures. They were chosen by Lighting Designer Christopher Coyle for their versatility and ability to work well within the venues’ limited space.
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I Art Nouveau is a 90-minute show that takes 21st century audiences at Prague’s Hybernia Theatre on an unforgettable journey back in time to Art Nouveau’s golden age in Paris. Enhancing the experience is an evocative lighting design by Lukáš Patzenhauer. Helping him achieve his vision is a collection of CHAUVET Professional WELL STX 360 tubular fixtures supplied by AudioMaster CZ a.s.
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Operating in Southeast Asia, and with a presence in Malaysia and the Philippines, Symunity Group encompasses brands such as ARK Ventures, Takenaka, and, most recently, SolidWater. As a valued partner of Brompton Technology and a key strategic partner of ROE Visual, Symunity Group’s projects span multiple sectors, including virtual production, broadcast, corporate, and live entertainment.
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When 50 Cent set a six-date residency at Planet Hollywood’s PH Live auditorium in Las Vegas during the festive season he set out to create a retro party atmosphere. Assisting him was a top creative team that included experienced lighting designer Nate Files and production designer Kley Tarcitano. It was Files first time working with both the artist and GLP’s new JDC2 IP hybrid strobe.
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Latin music’s glitterati turned out to perform at the Premio Lo Nuestro 2025 Awards for a night of celebration and recognition, with each act enveloped by a huge LED screen controlled by Green Hippo Hippotizer Boreal+ MK2 Media Servers supplied by JMT Show Concepts.
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Dear Evan Hansen, the award-winning musical about a high school senior with social anxiety, received its Swedish premiere in Stockholm in January and is currently running at the Intiman Theatre. The show has been beautifully and creatively lit by renowned Swedish lighting designer, Palle Palmé, using only Ayrton Rivale Profiles, exclusively distributed in Sweden by Topstage.
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For Edinburgh’s popular FLY Festival at Princes Gardens not long ago, Nick Jevons drew up plans to light the two-day festival’s 40-meter long main stage opting to go with a single lighting fixture model: The CHAUVET Professional COLORado PXL Bar 16 supplied by Liteup.
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Claypaky fixtures scored big at the World Table Tennis Grand Smash Singapore 2025 where a large complement of Sharpy X Frames and Sharpy Washes were deployed on the field of play for competition lighting and for audience-pleasing sports presentations that kept fans’ energy high.
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When it came to lighting a recent one-off show for Everything Always Forever (the collaboration between John Summit and Dom Dolla), at the 20,000-capacity Gorge Amphitheatre, an outside concert venue in Washington state, Designer Marcus Jessup needed to look little further than the GLP portfolio for his creative solutions.
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