PHOENIX – For 3 Doors Down, the headlining act for the sixth annual Bob’s Biker Bash fundraising concert held at Phoenix Children’s Hospital on Nov. 4, LD John Garberson and Creative BackStage put together a lighting rig that included 15 Maverick MK2 Spots, 25 Rogue R2 Washes and four Strike 4 fixtures from Chauvet Professional.
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NASHVILLE – Andrew Peterson’s 18th annual “Behold The Lamb Of God” tour included a performance at Nashville’s Ryman Auditorium on Dec. 11 that was also seen via live stream at Lipscomb University’s Shamblin Theatre. LD Winn Elliott, who has been supporting Andrew Peterson’s shows for more than a decade, relied on a Bandit Lites-supplied rig that included Vari-Lite VL500 Washes, Martin MAC Viper Spots, Martin MAC Aura Washes and in-line 4-lights.
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LAS VEGAS – AV Vegas provided sound, lighting & backline for the “Next From Nashville” stage at the Route 91 festival. Our stage finished an hour before the festival ended on Oct 1 and our crew was busy striking our gear when the shooting began. Two trucks had already been loaded and the lighting was mostly packed and riggers were taking motors down when concert goers began running towards our stage to get away from the shooting. Everyone has seen the story on TV. It was awful and I won’t recap it here.
Universal Studio’s sci-fi feature film, Oblivion, starring Tom Cruise, presents a post-apocalyptic earth, which would seem to demand heavy visual effects (VFX), and while there are many in the film, there are some surprising sequences that are, in fact, not CG. For two of the primary, futuristic sets — the Sky Tower and the Cloud Tower — cinematographer Claudio Miranda, ASC, and director Joseph Kosinski filmed most of the visual effects live in-camera rather than using green screens. It’s an old-school style that immerses the actors in the actual environment, but not the first instinct of filmmakers when the environment is supposed to be a cloud-surrounded glass-walled apartment 3,000 feet in the air.
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