The Wenger | J.R. Clancy Summit Theatron Hoist has been engineered as an economical solution for high school Theatres, university theatres, and churches. With safety as a top priority and quality as a standard, it offers optimal capacity, travel, speed, and load sensing to meet the demands of any performance space.
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The lighting design community is mourning the loss of Paul Marantz, co-founder of Fisher Marantz Stone. A lighting visionary who, through his extraordinary contributions to architectural lighting design, has helped to transform the perception of lighting design as a profession.
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An array of Claypaky lighting fixtures, including Volero Cubes, Arolla Aqua LT, Arolla Aqua, Sharpy X Frames and HY B-EYE K25s, was chosen by Lighting Designer Tim Routledge to illuminate the Eurovision Song Contest 2025 (ESC) held at the St. Jakobshalle arena in Basel, Switzerland.
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Lighting Designer Maya Strauss provided an evocative and deeply emotional visual backdrop for ‘Dancing at Lughnasa’, a saga of hardship, poverty and lost love at a recent production of the play at Rutgers’ Mason Gross Performing Arts. Her richly textured lighting design drew on the color rendering of the COLORado Solo Bar 4 from CHAUVET Professional.
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Freelance and production tickets for THE Conference: Live at Lititz 2025 are on sale now. THE Conference: Live at Lititz is the world’s leading live event conference focusing on production, touring, and leadership. Over 1,200 people attend the conference each year, which sells out months in advance.
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Rent All Pro delivered an impressive visual setup for Alejandro Fernández’s ‘De Rey a Rey’ Tour stop at the Honda Center in Anaheim. ROE Visual’s V8T and BP2V2 panels added visual depth and worked seamlessly with the lighting to complete the overall look of the production.
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Lighting Designer Nathan Brittain from Houston-based LD Systems oversaw a major lighting upgrade for the live concert element of this year’s Houston Livestock Show and Rodeo – aka Rodeo Houston, staged at NRG Stadium – which included adding over 150 Robe moving lights to the rig.
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Tim Routledge became one of the first production designers to specify GLP’s new versatile and supercharged Creos – part of a cornucopia of lighting that animated Florian Wieder’s coruscating set design at this year’s Eurovision Song Contest (ESC) in Basel.
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The Eurovision Song Contest is now one of the biggest, brightest and most colorful live productions in the world, and the 2025 edition boasted the biggest rig in Eurovision history. Ayrton fixtures played a key role in Tim Routledge’s spectacular and ever-changing, metamorphic design.
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ANSI’s Board of Standards Review has recently approved two more in ESTA’s Technical Standards Program collection of Event Safety standards. ANSI’s Board of Standards Review also approved two rigging standards.
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The Obsidian Control Systems team is excited to showcase the new NXW control wing at the InfoComm tradeshow, taking place June 11–13 at the Orange… Read More »Experience Next-Level Lighting Control with Obsidian at InfoComm 2025
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Designer, Steve Lieberman of SJ Lighting, who has been lighting the Yuma Tent for years, described the setting this way: “Yuma is not a typical festival design. The approach is more immersive and follows the philosophies of nightclub design. His rig included a lot of CHAUVET Professional fixtures.
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