LUCERNE, Switzerland — Auviso provided SGM’s P-5 wash lights as part of a refurbishment for the Swiss Museum of Transport Planetarium here. The gear was sourced through local SGM distributor ASL. The Planetarium dome is now solely lit by P-5 fixtures. Auviso’s project manager, Patrik Peier, credited the gear for being both brighter and more energy efficient than the fixtures they replaced.
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GATESHEAD, U.K. — For Goldfrapp’s recent U.K. and European shows in support of the electronic music duo’s latest album, Tales of Us, LD Rob Sinclair picks up on the album’s film noire imagery. He credited Philips Showline SL Nitro 510 strobe luminaires for delivering some of the looks he was after. Lighting director Louisa Smurthwaite also credited the gear, which was provided by Neg Earth.
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TBILISI, Georgia – SGM’s local distributor in Georgia, AVB Ltd., proposed the SGM LT-100 LED tubes for the centerpiece of the new Club NIN9. The installation of LT-100s was purely ‘plug and play’ and the wave and equalizer effects created by the LED tubes are easily controlled in the club using Madrix.
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ITALY – As part of an elaborate lighting design that included breakaway LED panels, LD Mamo Pozzoli used a variety of Clay Paky fixtures for singer Elisa’s recent tour. “In this mix of creativity and technology, the lights serve to provide order. I use them in a rigid geometric way that is completely functional to the rest of the scene. But this does not mean their role is belittled,” said Pozzoli. “On the contrary, precisely owing to their essential function in the overall set-up, I immediately asked for some of the most reliable lights I know: Clay Paky Alpha Beam 700s, Clay Paky Alpha Wash 700s and Sharpys.”
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ANTWERP – Attracting upwards of 20,000 music fans, the Reverze music festival featured a 4.5 by 4.5 by 5 metre high scenic clock. Wicreations was responsible for the clock’s automation which included moving into position to 40 metres off the downstage edge of the stage right amidst the audience, moving vertically, rotating in two directions and splitting into two parts. Clad with LED screens on all sides, the set piece weighed 4.6 tons.
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TEL AVIV – Israeli distributor Danor, which began working with Robe in 2006, has seen its partnership grow as it has added more fixtures from the Czech Republic based lighting manufacturer to its inventory. Lately Danor has found particular success with Robe’s Robin Pointe fixtures and their ability to serve the needs of various TV productions.
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LONDON – A team from White Light raised more than £1000 for Light Relief, the industry charity that provides support for lighting professionals in extreme hardship. The group of 22 runners completed the Richmond River Run in March of 2014. Participants in the run came from White Light departments including Hire, Sales, Events, Technical Service, Operations, Rigging, and Marketing.
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LONDON – LD Martin Nicholas is using a lighting rig supplied by White Light for Wet Wet Wet’s U.K. tour. The gear list includes Vari-Lite VL2500 Spots and VL2500 Washes, Coemar Infinity ACL-M beamlights and Martin MAC Viper spotlights, all driven by a grandMA Full Size console programmed by Mark Scrimshaw. Four Robert Juliat Aramis followspots provided the key front light to the performers, while Look Solutions Unique haze machines ensured the lighting, particularly the beams from the ACL-Ms, were clearly visible.
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EU – The Europe-based Knight of Illumination Awards, which celebrates outstanding achievements in lighting design, is expanding internationally with the launch of ‘KOI South Africa’ in 2015.