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International News

BC Place Stadium

Pharos Controls Vancouver Landmark

VANCOUVER – Vancouver’s BC Place stadium has become a new landmark, due to the new lighting effects system. Controlling the Lumenpulse LED fixtures is a Pharos LPC 60 programmed with the Pharos Designer software. It allows fine-tuned cues to be executed by lighting consoles for big budget halftime shows and by scorekeepers for touchdowns and crowd messages, while allowing building systems to handle the necessary architectural commands and astronomical automation for pre-dawn and after sunset lighting displays.

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Cin'ks 326 HMI

Royal Opera House Installs Robert Juliat HMI Fresnels

LONDON – London’s Royal Opera House has replaced its aging HMI Fresnels with Robert Juliat Cin’k 326 LFV 2.5K HMI Fresnels. The Cin’ks use the same ballasts, header cables and many spare parts as the Robert Juliat D’Artagnan HMI Profiles, which the ROH already had in house, so they say this new acquisition streamlines stock control,makes maintenance easy for them and are aesthetically more pleasing when viewed from the FOH.

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Diamond Jubilee

CT Brings Jubilee Celebrations to Streets of London

LONDON – To ensure everyone could see and hear the Diamond Jubilee festivities in the streets of London, Creative Technology (CT) was asked by event organizers Innovision to provide large modular video displays in Trafalgar Square and St James Park. CT also supplied signal distribution and supporting engineering services to the various mobile screens installed in the Mall and the Palace Forecourt.

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Eurovision

Parasol KLR Debuts at Eurovision Song Contest

BAKU, Azerbaijan – The KLR (Kinetic Light Ring) from Parasol Advanced Systems of Vancouver, BC was at the center of attention at the Eurovision Song Contest 2012. The system lets designers program moving lights so that they move along a circular truss in any configuration, at up to 60 inches per second. Stopping, starting, reversing, accelerating and moving to an operator-specified position are all controllable features.

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Sharpy

Sharpys Wave the Flag for Queen’s Jubilee

LONDON – Among those dressed for the occasion of Queen Elizabeth II’s Diamond Jubilee were Union Jack-sporting Clay Paky Sharpy fixtures. LD Durham Marenghi used more than 240 of the compact fixtures – 60 with the custom flag decorations – for the live and televised concert event at Buckingham Palace. Each customized Sharpy had to undergo a special heat test, and 14 days of programming put them through all sorts of weather conditions prior to the big day.

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Thornico Building

Martin Exterior LEDs Illuminate Rotterdam’s Thornico Building

ROTTERDAM, Netherlands – The Thornico Group’s philosophy of green initiatives called for the use of Martin LED lighting on the Thornico Building in Rotterdam. The most significant aspect of the LED lighting installation is 170 meters of vertical LED tubes mounted on the building’s 4,000 sq. meter facade. The full-color RGB LED tubes delineate the architectural form and indicate the locations of the main entrances.

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Eurovision

Clay Paky Dominates Eurovision Song Contest

BAKU, Azerbaijan – The Eurovision Song Contest recently completed its 57th year, held at The Baku Crystal Hall in Azerbaijan. LD Jerry Appelt specified an arsenal of 2,891 lighting fixtures. Of the 1,400-plus moving heads, 667 were Clay Paky fixtures. One lighting element new to the Eurovision stage was the Parasol KLR (Kinetic Light Ring) system, hung directly over the stage, which allows moving lights to move along a fixed path on a linear or curved truss. The Eurovision system consisted of three concentric rings with circular motion, all lit with Alpha Beam 1500s, with their independent and simultaneous motion over the stage for a dynamic effect.

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Producer Johanna Marsal, Creative Director Sakchin Bessette and Multimedia Director Melissa Weigel

Moment Factory Creates Visuals for Madonna’s Tour

MONTREAL – Moment Factory created multimedia content for Madonna’s new world tour, which kicked off May 31. Every step in the production process was carried out in close collaboration with Madonna and her team, including show director Michel Laprise of Cirque du Soleil, set designer Mark Fisher, lighting designer Al Gurdon, production manager Jake Berry, video technical director Stefaan Desmedt and choreographers Rich + Tone.

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