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International News

LSC Helps AWM with Post-WWII Exhibit

CANBERRA — The Australian War Memorial (AWM), which underwent a retrofit last year to expand its focus on military engagements in the post-WW II era, required 30 new AV displays of varying size and complexity in 1,200 square feet of existing exhibit and office space driven by 40 computers. Bruce Brown from Mental Media and LSC Lighting Systems were involved in the project.

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CNBC Arabia Studio Uses Martin LC Series Panels

DUBAI — Behind one of the main broadcast desks at television studio CNBC Arabia, semi-transparent, floor-mounted Martin LC Series LED panels creates a customizable graphics backdrop. Nick Turner, head of operations for the region’s first 24-hour Arabic language business TV channel, was looking to augment a range of changeable and moveable “light-boxes” for backlit graphics for different news shows.

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Anolis LEDs Light Water Feature for Vertical Village

SYDNEY — Anolis ArcSource 6 RCWB LED underwater fixtures are illuminating a water sculpture located at Regent Place, the “vertical village” designed by U.K.-based Foster & Partners. Regent Place consists of two towers rising above a five-story sandstone podium that features retail, commercial and leisure spaces. Above the 5,400-square-meter, three-level shopping center, the development includes 657 apartments.

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Martin EvenLEDs Used for Stage, Trade Shows

BERLIN — White Light supplied its first EvenLED units to the U.K. tour of Mary Poppins in mid-2008, and the system has subsequently been adopted by other shows including the London production of the musical Oliver! But the cyc lighting system is also helping designers meet challenges outside the theatre as well.

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XL Video Shares in Kings of Leon’s Visual Balance

LONDON — XL Video UK supplied MiTrix screens, 290 HD VersaTubes, cameras/PPU, Catalyst digital media servers and crew to the Kings of Leon “Only By The Night” tour. The show features an original IMAG mix directed by Phil Woodhead, who’s working closely with Catalyst operator Phil Haynes, lighting co-designer Ali Bale and creative director Paul Normandale on the show’s visual big picture.

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