Albert Hall Reopens in Manchester, U.K. with Clay Paky Gear from dbn Lighting
ARRI Inc. Names Chris Russo Technical Sales Manager Camera Products, Western Region
LOS ANGELES — ARRI Inc. named Chris Russo Technical Sales Manager Camera Products, Western Region for the Americas. In her new role, Russo will be responsible for sales of ARRI camera products including ALEXA, AMIRA and Pro Camera accessories. She will also evaluate market and technology requirements for existing and potential ARRI camera equipment in the North American Market.
Read More »Neutrik SCCD-W Cover for powerCON Series Connectors
XL Video Names Bertil van Veen Manager of its Dutch Operations
D.T.S. MAX L Compact Moving Head
D.T.S. Lighting’s MAX L, like the company’s MAX, offers users four different types of projection with a single moving head: Beam, Spot, Wash, and Studio. Although both fixtures make use of Philips’ MSD Platinum 16R 330W (16K lumen) light source and share many other characteristics, the MAX L offers a few differences in terms of beam angles and optical specs, and the company touts the beam, in studio mode, as being “evenly diffused as never before.”
Read More »wysiwyg R33 from CAST Software
CAST Software announced the release of its wysiwyg version R33 recently. The new version promises more than 10 new features addressing the needs of lighting designers, multimedia and production professionals while promising a new level of added realism, maximum creativity and return on investment.
Read More »Ghana Music Awards Show Lit with PR Lighting Gear
Space Ibiza Kicks Off 2014 Summer Season with 10-Hour Party, 42 Robe Fixtures
LD Steve Cohen’s Rig for Billy Joel Shows at MSG Include GLP Impression X4s
d3 Technologies Pro Range Now Shipping
The 1975 Performs in London with Philips Vari-Lite VL3500 Wash FX Fixtures
LONDON — For a Royal Albert Hall concert featuring Manchester, U.K.-based indie band, The 1975, LDs Tobias Rylander and Darren Purves included a dozen Philips Vari-Lite VL3500 Wash FX luminaires in the rig. The design mirrored the band’s visual aesthetic, which minimizes the use of color and emphasizes the square shape of their logo design.
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