The Mega-Lite Axis QD7 from Mega Systems Inc. is a compact moving head beam with pixel control allowing for unique visual looks. The unit’s seven 12W RGBW quad color LED modules are individually programmable. Compared with RGB LED fixtures, the RGBW design is sait to allow for smoother color washing and improved pastel shades. Each LED has a relatively narrow 8° beam, making the fixture’s effects punchy and bold.
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ETC adds to its LED offerings with two new products: the Source Four LED Series 2, which promises to serve as a powerful spotlight with the most expansive color spectrum possible from an LED luminaire (pictured here); and the Source Four Mini LED, an energy-efficient version of ETC’s tiniest fixture.
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LONDON – For a recent tour of U.K. arenas, LDs Cate Carter and Pablo Beckett of Bryte Design expanded their video-centered set design to include some of XL Video’s newer LED products – the Radiant MC-18 Hybrid, Radiant MC-7T, Radiant MC-18T and Pixled F-12 screens. XL Video also supplied cameras, a Catalyst media server for playback and PPU and crew for the tour, which brought Goulding’s ongoing Halcyon Days trek from the earlier theatre-sized production to a larger version for arena-sized venues.
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LONDON – LD Jonny Gaskell included Robe moving lights for the latest UK leg of Rudimental’s ongoing tour. The rig for the tour, which visited both theatre- and arena-sized venues, included 28 Robe Robin MMX Spots and 34 Robin LEDWash 600s. The fixtures worked with a key visual element for the shows – a backdrop inspired by the Hackney Peace Memorial mural, created for the stage by Hangman. Colour Sound Experiment provided the gear.
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WILTSHIRE, U.K. – An installation at Stonehenge’s visitor center got an AV assist from Electrosonic to help newcomers experience the ancient stone formation. One of the main highlights is the ‘Standing in the Stones’ exhibit, a 360-degree virtual experience. Installed by Electrosonic, the exhibit lets visitors stand in a virtual Stonehenge as it is today and in the past. The three-minute film, based on state-of-the-art laser scan images of the stone circle, transports viewers back in time, experiencing the summer and winter solstices of long ago.
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FRANKFURT – German Light Products celebrated 20 years at the recent Prolight+Sound Show here earlier this month. Udo Künzler, who founded the company in 1994, hosted a get-together attended by the company’s distributors and members of the press. The event, also attended by Kasper Gissel and Mark Ravenhill, featured some of the company’s products hits (and misses) along with observations by industry-leading LDs who have relied upon the gear.
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TAMPA, FL – LD Scott Warner is using four of Robe’s new Robin Cyclones for Icona Pop, the Swedish duo opening for Miley Cyrus’ Bangerz world tour. Developed by Robe in response to an initial design idea by Warner, the Cyclone is “a high-powered LED wash light with a built-in DMX-controlled fan,” said Warner. Theatrical Media Services of Omaha, NE is providing the fixtures for their touring debut; they were launched at PLASA 2013.
LONDON – For Wayne McGregor’s Tetractys: The Art of Fugue, a ballet for 12 dancers set to Bach that was performed at London’s Royal Opera House in February, set and costume designer Tauba Auerbach worked with programmer Florian Baeumler and the venue’s newly-acquired Hippotizer Rackoon for an assist with the visual design, which paired live performers with geometric graphics.
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LONDON – For a recent Avicii tour, tour director Curly Jobson and production manager Robin Scott relied once again on HSL Group for HSL lighting equipment and crew. The show was designed by Simon Barrington and Ian Tomlinson and directed live by video artist/VJ Harry Bird. It included lighting, video visuals, pyro, special FX and lasers, complementing Avicii’s performance in real-time.
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