TAF Round Corners
GLP impression Spot Ones Tour with Jackson Browne
LOS ANGELES – Jackson Browne’s lighting director/production designer for four years, Steve Comer, is one who admits, “I had been looking for an LED hard edge light for a long time, and when the Spot One came along it was just the fixture I’d been waiting for.” GLP’s impression Spot One helps on the tour in various ways. Jackson Browne had wanted to go more green the past few years, and as his latest tour grew from a solo acoustic act to an ensemble, the stage called for a hard-edge beam to allow musicians to disappear behind Browne.
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MAC Viper Makes Its Show Debut in Australia
MELBOURNE, Australia – Resolution X took delivery of the first Martin MAC Viper Profiles in Australia, and gave them their debut appearance on the AFL Footy Show Grand Final Edition. The sports TV show was broadcast live from Melbourne’s Rod Laver Arena. The Vipers were positioned on moving trusses upstage and were LD Rohan Thornton’s primary profile light and source light on the stage from behind. “Optically and from an intensity point of view they cut through all the other fixtures that I was using so they had pride of place,” Thornton said.
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Robe MMXs Specified for Theme Park’s ‘Luminosity’ Show
SANDUSKY, OH – Robe’s ROBIN MMX Spots were an integral part of the new ‘Luminosity: Ignite the Night. Powered by Pepsi’ visual extravaganza at the Cedar Point Amusement Park on the Lake Erie peninsula in Sandusky, OH. LD Al Crawford of Arc3design specified the Robes, working alongside Lighting Director/EOS console programmer Zakaria M Al-Alami (Zak) on the project. The Luminosity show – combining lighting, sound, fireworks, lasers, DJs, singers and dancers and lots of energy – ran every night at the park through the summer months.
Read More »Colour Sound Illuminates Devil’s Arse Cavern
LONDON – Haydn Cruickshank of Colour Sound Experiment (CSE) designed and supplied lighting for a showcase celebrating the birthday of Tennessee whiskey Jack Daniels at a cavern called Devil’s Arse in the Peak District, UK. One of the many challenges facing the production team was the 600-meter (656-yard) push from the truck drop through the treacherous terrain of the Castleton Village pathways and up the hill into the first cave. Access to the second cavern entailed the lighting crew crawling on their bellies along a passage less than a meter (39 ft) high with all the kit, negotiating rocks, walls and dripping water and dank odors.
Read More »Renegade Helps Design Ultimate 007 After-Show at Tate Modern
Event Live Expo Returns to Los Angeles in February 2013
LOS ANGELES — The Event Live Expo (ELX) host sits 3rd annual event in Los Angeles on Feb. 5-7, 2013 as part of Live Music Industry Week. ELX is a free event attracting industry leaders from around the world to participate in panels, networking sessions and educational seminars that explore the cutting edge techniques and tools currently shaping the live event and festival business. During this event, the Event Safety Alliance plans to unveil excerpts from its upcoming American edition – a guide featuring the best practices in the event production industry.
Read More »“Frankenstorm” Shuts Broadway for a Third Day
NEW YORK — With mass transit still snarled by the surge of seawater inundating neighborhoods and train tunnels, the Broadway League, representing 40 theaters in the city, opted to pull the plug on performances Tuesday, Oct. 30, extending the storm-related shutdown that kept stages dark Sunday, Oct. 28 and Monday, Oct. 29. Among the cancelled productions for all three days: Broadway’s The Book of Mormon, Once and Mama Mia! and off-Broadway shows including Stomp, Bad Jews, Disgraced and Golden Child. At Carnegie Hall, appearances by the Tokyo String Quartet on Oct. 28 and Jadranka Jovanovic Oct. 29 were also canceled.
Read More »ETC Ion Controls Serbia’s ‘Time of the Gypsies’
BELGRADE, Serbia – Serbian lighting director Viktor Trifu recently used an ETC Ion console to run the lighting for “Time of the Gypsies” at Belgrade’s Sava Center. Described as “punk opera” or “how Monty Pyton would have imagined opera,” the show presented challenges for Trifu, but the Ion console made it easy to control, he says. I have used Ions before and am always impressed by how much fine control I have of intelligent fixtures.”
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