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Robe Making an Impact in Schladming

The former mining district of Schladming-Dachstein is considered one of the finest skiing areas in Austria during their season. It is also famous for the Men’s World Cup Night Slalom – hailed by some as the biggest party in the Alps – attracting up to 50,000 spectators and skiing enthusiasts annually towards the end of January.

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ProPlex EZ-LAN helps Kia “Light up the Holidays”

LOS ANGELES – For a 2017 holiday season TV commercial, LD Matthew Ardine transformed a Kia Motors America dealership into a large-scale lighting display to promote the company’s year-end sales event. Featuring nearly 500 various lights communicating over two V-LAN groups, with a total of 75 Ethernet devices, the network relied heavily on its nerve center, four ProPlex EZ-LANs, for a light show that made car headlights, building and landscape lighting flash in sync to TSO’s “Christmas Eve in Sarajevo.”

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Mega-Lite iCandy Q18

As its name suggests, this fixture from Mega-Lite can be used to create dazzling looks for different sized stages and can add an eye-catching effect to highlight vertical or horizontal lines. Utilizing a matrix, the Mega-Lite iCandy Q18 is designed with pixel control. Along with unique eye-candy effects, the fixture’s pixel-mapping capabilities include the ability to recreate video.

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The Minneapolis Armory Reopens with Horizon EDM Tour, Chauvet Lighting and Video

MINNEAPOLIS, MN – For the second-to-last stop on the Horizon tour, featuring EDM acts Kill The Noise, Tritonal and Seven Lions, LD Daniel Thibault of Life Is Art Studios used Chauvet Professional Rogue fixtures and PVP S5 video panels supplied by Antic Studio to light the recently-refurbished 8,400-capacity Armory in Minneapolis. The tour, which launched in late October at the Brooklyn Hangar in New York, finished up the next night at Chicago’s Aragon Ballroom.

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Syracuse Stage’s “The Wizard of Oz” Brightens with Elation’s Artiste DaVinci Fixtures

SYRACUSE, NY – LD Herrick Goldman used Elation Professional’s Artiste DaVinci LED moving head spot for color and visual effects on a Syracuse Stage production of “The Wizard of Oz.” Goldman credited the fixture as a flexible workhorse that performed a number of duties throughout the show. “The DaVinci took so much of the workload, I could have saved the time and energy of hanging 25 percent of the light plot,” he said.

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