Here is an informative comparison test of the Kvant range of lasers, from 3W to 270W, at distances from 50m to 800m. This video is designed to help you choose the perfect laser system for your events, ensuring you get the right visibility and impact.
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Enjoy this behind-the-scenes look at how a team of UC’s College-Conservatory of Music (CCM) students helped illuminate Cincinnati during last fall’s BLINK festivities. This student-produced documentary that explores CCM Lighting Design and Technology students’ role in the BLINK immersive art and light event lighting the Insane51 mural.
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Everything Always is a collaborative project of two EDM DJs, John Summit and Dom Dolla. They wanted a completely bespoke set for the Ultra Music Festival in Miami and brought onboard the creative talent of Human Person to handle the show design for their 90-minute set. Ben Dalgleish of Human Person designed the custom set for the EDM duo’s Ultra high-powered performance.
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NAMM interviewed Malcolm Weldon, who was honored with the Parnelli Lifetime Achievement at the annual ceremony in Jan. 2025. Here’s a link to the interview.
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Watch this classic behind-the-scenes time-lapse of the set changes for Franco Zeffirelli’s beloved production of Puccini’s La Bohème at the Metropolitan Opera.
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Lighting Designer Emily Bornt was interviewed for the NAMM Oral History Program. She speaks about finding her early love of music and the path to eventually launching LEAPS, her own lighting company, designing large-scale shows and touring productions. Known for balancing artistic vision with technical precision, she thrives in creating immersive, dynamic stage experiences.
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Brilliant! Jackpot at the Neon Museum in Las Vegas is a state-of-the-art audiovisual immersion that through projection brings some of the historic signs of Las Vegas back to life. This innovative experience, created by Experiential Director & Light Artist Craig Winslow, transports visitors through technology and meticulous mapping.
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PRG played a key role in the visually and sonically immersive production of ‘Redwood’ on Broadway, providing scenic, automation, video, lighting, and audio solutions, including the largest LED display ever seen on Broadway. This video, created by PRG, takes a look at the scenic design with an interview with Scenic Designer, Jason Ardizzone-West.
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New technology is reshaping our future, but can a machine replace a designer —or will it die trying? AI may be our salvation, but is it art? Watch Light Humor Ep 9: The Museum Gig for an absurdist take on this creative clash.” Light Humor is presented by 4Wall Entertainment.
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As Women’s History Month comes to a close we wanted to share this PRG video showcasing some of the talented women production professionals in their company. At PLSN we wish to amplify this recognition to all the hardworking women throughout the live event and entertainment production industry in every role at every level.
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In this video from the Royal Shakespeare Company, Scenic Designer Es Devlin, Director Rupert Goold, and the RSC Automation Team explain how they created the ‘unstable’ raked stage and a boat for its production of ‘Hamlet’.
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On this St. Patrick’s Day we give you a flashback to U2:UV Achtung Baby, Live at Sphere. Working with longtime collaborators Willie Williams, Stefaan “Smasher” Desmedt, and STUFISH Entertainment Architects, among others, the show’s production was realized by the longtime U2 veterans as well as new creatives and vendors. The production won two Parnelli Awards: Video Director of the Year and Media Content Creator of the Year.
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