LOS ANGLES, CA – The grandMA was out in force when the New World Symphony opened its new Frank Gehry-designed home in Miami Beach. The New World Center is the first American concert space built from the ground up to integrate sophisticated video, theatrical lighting and flexible stage space, and a grandMA2 full-size and a grandMA2 ultra-light play a key role in lighting control on the campus. A.C.T. Lighting is the exclusive distributor of the grandMA in North America.
The New World Symphony is an elite training orchestra for musicians who go on to work at major symphony orchestras; it's known as one of the most innovative organizations in the country, and the new concert hall is a testament to its state-of-the-art outlook.
"I chose the grandMAs because of the amount of control we need," says lighting designer Stefan DeWilde, a veteran of the famed Cirque du Soleil. "We have 300 conventional fixtures and hundreds of LEDs in the atrium which run off the console. Then there are 1,600 LEDS in the parking structure and 150 conventional fixtures and 75 moving light in the hall. We're pretty loaded up, and nothing else but grandMA made sense to use."He notes that having a front-end unit to manage all the lighting efficiently was "crucial. Reliability was key, and the sheer amount of information in our show files is substantial. We're running multiple networks, ETCNet2, Art-Net, MA-Net2, plus nine Pandora's Box HD media servers."
DeWilde reports that, "we already have 32 universes for television, theatrical and architectural lighting and run a full calendar of shows."
Among the lights controlled by the grandMAs are 1,200 conventional ETC and Altman fixtures; 1,600 LEDS from CK, EW, Graze, CB and iCove; 2,000 architectural fixtures; an array of VARI*LITE moving heads; and 26 washes and spots for the atrium. When required, the grandMAs also control video, hazers, scent generators and four RGB laser projectors.
