MANCHESTER, UK —DBN Lighting lit several prominent summer arts events this year, including Manchester International Festival, Music & Art on the Waterfront in Liverpool, and the Salford Proms in the Park. For six major events associated with the Manchester International Festival (MIF), DBN supplied lighting, rigging and lighting design services, following DBN’s support for the first MIF in 2007.
“I try to use locally based companies for the Manchester International Festival and DBN were my first port of call for all lighting and power needs,” said Jack Thompson, technical director of the festival. “They have an excellent range of top quality equipment and a highly skilled and efficient crew,” Thompson added.
“They are always great to work with and have a proper can-do attitude which is vital for dealing with the constant changes and short notice requirements inherent in a major festival like ours. DBN’s talented and innovative in-house design team are perfect for working with the various artists and architects involved with the MIF. I look forward to working with them again in 2011. “
DBN supplied lighting for the Festival Bar Pavilion and the adjacent Festival Theatre.
The Festival Bar was a large teepee erected in front of the Town Hall which acted as live music/DJ bar and a general social hub for festival goers. The teepee was internally lit with a variety of fixtures and externally lit with LED strings draped above the picnic table areas.
The nearby Festival Theatre needed a basic stage lighting rig installed to cover anything from rock ‘n’ roll to comedy performance, so DBN’s Pete Robinson designed a rig based on a front and back truss. Fixtures included a range of ETC Source4 pars & profiles, ADB Fresnels, Chroma-Q LEDs, Clay Paky Alpha 300 HPE moving lights and a Jands Vista S1 control console.
For MIF 2009’s opening event at the Velodrome, there was a concert by Kraftwerk and Steve Reich. DBN’s Nick Todd served as project manager and designer.
Kraftwerk specified their own rig, which was supplied and installed by DBN. They then designed and rigged a completely separate system on the same stage for Steve Reich. A large generic rig was provided to light the audience, and Clay Paky Alpha Wash 575 THs rigged from trusses running the length of the venue were used for lighting the cycle track for a team of cyclists appearing during Kraftwerk’s rendition of “Tour de France” and also for general atmosphere and audience lighting.
The Zaha Hadid installation at the City Art Gallery proved an interesting challenge for DBN’s Stephen Page. In a fusion of music and architecture, Hadid was commissioned to create a performance space in the art gallery for a series of chamber music concerts.
The result was a striking and complex curving white ribbon that wrapped around itself within a ‘black box’ room, creating a stage for the performers and a space for the audience. The ribbon was constructed from a translucent fabric membrane stretched over an internal steel structure suspended from the ceiling.
Page designed a rig of around 80 Source Four PARs to add depth and emphasize the shape and scale of the installation, all rigged from dead hung scaffolding pipe with cabling above the ceiling to keep the space as clean and uncluttered as possible. Scenes were programmed to reflect the different uses of the space as a gallery installation and a performance space.
The brief was to add a new dimension to the structure for the evening concerts, while during the day, the lighting also had to enhance the structure in its gallery space context. “Using light to emphasise the sweeping beauty of the installation without cluttering the confined space with lots of equipment was one of the most challenging elements of the festival for us,” said Page .
The Great Indoors was a weekend event of some 15 newly commissioned performances for 3 to 11 year-olds in various rooms, nooks and crannies of Manchester’s Town Hall. DBN supplied all lighting and rigging services for the event with Pete Robinson liaising with the artists and interpreting their needs in advance and James Collingwood heading up the on-site team tasked with installing it all and making it work.
As part of the event, Page was commissioned by producers Walk The Plank to design the lighting for “The Difference Engine” in the Town Hall Courtyard, featuring a giant spider puppet and the brain of mathematician-inventor-engineer Charles Babbage.
This involved nearly 100 lighting fixtures and plenty of ingenuity to rig them onto and around the internal courtyard of the grade one listed Town Hall —without damaging the building or denting the mayor’s limousine. Page used everything from moving lights to LEDs, egg strobes, pars and festoons, plus overhead projectors and a space flower.
For Elbow’s performance with the Halle Orchestra at the Lowry Centre’s Bridgewater Hall, DBN supplied additional lighting to the band’s Cate Carter in the form of SGM Palco LED wash lights and Molefeys.
Shortly after the MIF finished, the DBN team lit the Manchester Jazz Festival, which was staged in the large Pavilion tent.
Also just after the MIF, DBN went down the road in Liverpool, supplying all lighting and rigging requirements to producers Walk The Plank for the three-day Music on the Waterfront festival. This was staged by Liverpool City Council as part of their summer “On The Waterfront” events season at Liverpool’s Pier Head.
The action took place on a Star Events stage. The lighting design was completed by DBN’s Pete Robinson, operated by Pete Isherwood and included a series of hinged trusses that curved around the roof, enabling the space and available headroom to be maximized.
The over-stage rig included 32 Clay Paky Alpha range moving lights, Studio Due CS4s, 12 bars of six Source 4 PARs and a selection of profiles and fresnels. The audience was illuminated with i-Pix BB4 LED wash lights chosen for their powerful output and IP rating. All lighting was controlled via an Avolites Pearl Expert desk.
For more information, please visit www.dbn.co.uk.
