MELBOURNE, Australia – Resolution X took delivery of the first Martin MAC Viper Profiles in Australia, and gave them their debut appearance on the AFL Footy Show Grand Final Edition. The sports TV show was broadcast live from Melbourne’s Rod Laver Arena. The Vipers were positioned on moving trusses upstage and were LD Rohan Thornton’s primary profile light and source light on the stage from behind. “Optically and from an intensity point of view they cut through all the other fixtures that I was using so they had pride of place,” Thornton said.
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MELBOURNE, Australia – Resolution X took delivery of the first Martin MAC Viper Profiles in Australia (via Martin distributor Show Technology) and the new units didn’t spend long in their new warehouse before making their debut appearance on the AFL Footy Show Grand Final Edition.
The show, an Australian sports television program dedicated to the Australian Football League, was broadcast live from Melbourne’s Rod Laver Arena with a TV audience in the millions, but that didn’t stop LD Rohan Thornton from debuting a product he’d never used before.
“I knew it wouldn’t be a risk as Martin is famous for their reliability, and the people at Res X would have tested them thoroughly,” he added. “The only risk was that I only had 24 Vipers and I used all of them with no spare but I wasn’t let down.”
Thornton had seen the MAC Viper at the Entech tradeshow and heard how it was going to be the replacement for the MAC 2000 so he was interested to see it perform.
“All these new lights come out with flashy bits but the workhorses are the backbone of the industry and I wanted to have a play with what could potentially be the next workhorse,” he remarked.
“I wasn’t disappointed! I found them to be excellent; optically they were very good, the choice of lamp is excellent, the color temperature was consistent, the gobos are good as is the zoom range – in fact there was no feature I didn’t like. I loved everything about them.”
The Vipers were positioned on moving trusses upstage and were Thornton’s primary profile light and source light on the stage from behind. “Optically and from an intensity point of view they cut through all the other fixtures that I was using so they had pride of place,” he added.
Also over the stage were Martin MAC 700 Profiles, MAC 700 Washes and 24 MAC TW1 fixtures. “I love them, always have and always will!” he said. “I’ve used them on just about everything I’ve done. I like to add a bit of tungsten into the arc profile spots – it’s a nice differential color temperature.”
On the vertical trusses rear of stage were 34 MAC Auras, which Rohan was curious to use on a televised show.
“I think most TV lighting folk don’t like the pixel look of LED moving lights but the idea of having a soft fresnel lens and being able to color separately looked promising so I was keen to give the Auras a good go on a TV show,” commented Thornton. “They were absolutely sensational and are my LED fixture of choice from now on! Apart from being a good fixture with a good beam, colors and everything like that, physically on the set they look much more like a light than a bunch of moving dots.”
There were 96 Martin MAC 301 Wash LED fixtures used around the arena to light the audience and were so successful that for the first time Thornton did not have to use any conventional lights.
Photo: Ben Claydon
