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JDI Productions Uses Chauvet Gear for Boston Hotel Ballroom

G-Spots in action at Horse Guards Parade Ground. Photo by MPP Image Creation/Spectra DMC.

White Light Adds SGM G-Spots to Inventory

LONDON — White Light, based here, has added SGM’s IP65-rated LED G-Spot fixtures to its inventory. The fixtures, which make use of an 850W RGBY LED light source, were used an event for a legal consortium at Westminster Abbey and Horse Guards Parade Ground, pictured here. The G-Spots join other SGM fixtures in White Light’s inventory, including the P-5 washlights acquired by White Light last year.

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From left, Kevan Shaw (Kevan Shaw Lighting Design), Thatcher Waller (Lightswitch Architectural), Rohit Patil (Xicato), Ken Kane (Lighting Services Inc) and Scott Rosenfeld (Smithsonian American Art Museum and Renwick Gallery)

Midwest Museum Sustainable Lighting Symposium Held in Chicago

CHICAGO — More than 100 industry professionals attended the Midwest Museum Sustainable Lighting Symposium, held Sept. 12 at the Field Museum here. Lightswitch Architectural co-sponsored the event along with The Field Museum, Xicato and Lighting Services Inc. Pictured here are, from left, LD Kevan Shaw, Lightswitch Architectural’s Thatcher Waller, Xicato’s Rohit Patil, Lighting Services Inc.’s Ken Kane and Scott Rosenfeld, representing the Smithsonian American Art Museum and Renwick Gallery.

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Blackmagic Design ATEM Switcher Update 6.1

Blackmagic Design’s ATEM Switcher Update 6.1 software includes new features for Camera Control such as copying of color settings across cameras, white balance display and synchronized fading of audio and video using Fade to Black. ATEM Switcher Update 6.1 is available now for download free of charge for all existing ATEM Switcher customers from the Blackmagic Design support page on the website.

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Pictured here, “The Wolf From the Door” at Royal Court Theatre. Photo by Stephen Cummiskey

White Light Provides ETC LED Fixtures for Royal Court Theatre

LONDON — When London’s Royal Court Theatre (RCT) sought to upgrade their existing lighting stock they turned to White Light for more than 50 of ETC’s Source Four LED Series 2 Profile fixtures across two venue spaces. LDs Peter Mumford and James Farncombe were the first to make use of the new energy-efficient fixtures. “Now is the right time to invest in LED,” noted Jack Williams, RCT’s head of lighting. Pictured here, a scene from The Wolf From the Door.

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ETC ColorSource PAR

ETC ColorSource PAR

ETC says its ColorSource PAR LED luminaire uses a proportionate blend of red, green, blue and lime LED emitters to produce a richer, more natural and consistent light output than other budget LED fixtures. Along with the color calibration that ETC does on all its LED luminaires, the company is touting its round-the-clock customer and technical support.

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