It’s become painfully evident to me that this industry has been overrun with people who take too much responsibility for their actions. Every day it seems like I’m on a show where a technician double-checks his work, a programmer tests her backup console or a designer accepts the blame for an uneven front wash.
People! This has got to stop!
Read More »Days before InfoComm opened mid-June in Las Vegas, one of the world’s leading projection video purveyors announced the acquisition of one of the lighting industry’s most well known brands. Barco’s purchase of High End Systems further solidifies the ongoing convergence between video and lighting and in the process seeks to redefine what had been individual sectors under the rubric of the events market. High End Systems, Inc. was majority-owned by Generation Partners, a U.S. private equity firm, which acquired the company in 1998.
Read More »“In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed.” — Henri Matisse
Read More »The world of stage productions has really grown complex in the last 10 to 15 years. Not only have automated lights become standard, but so have digital audio consoles, complex show control systems, motion control and networking. Often these systems must be synchronized via MIDI or SMPTE to ensure a reliable and repeatable production. While it can be amazing to sit back and watch a programmed light show run automatically, it is also a bit disheartening to walk away from a desk and have the show continue.
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Often enough my work takes me abroad. And just when I thought I’d played a gig in every corner of the world, some band has found a new locale. There was a time when South America seemed like a distant land, an impossible place to do a proper show. But that’s in the past. Now I get to teach the locals how to do shows in lovely places like Ethiopia and Kazakhstan.
Read More »Last week I was out in San Diego and Anaheim doing rehearsal shows for Marco Antonio Solis. My priority to this gig is to board… Read More »Dos Rehearsals
Read More »Many lighting companies all over the world employ someone who can speak English. Once I find out who this person is, I start corresponding. The… Read More »Overseas gigs require planning and patience.
Read More »DVI, or Digital Visual Interface, carries an uncompressed digital video signal to a digital display device such as an LCD display or projector. The protocol… Read More »Understanding DVI
Read More »Apple will let anyone sell software on the App Store, giving software developers instant access to an international distribution hub. While there are pros and… Read More »Using the iPhone for Stage Lighting
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SYRACUSE, NY — For the 20th year, J. R. Clancy is giving away free slide rules to rigging technology dealers and installers. The newly revised sixth edition of the Clancy Slide Rule is made to be easy-to-use, fit in a shirt pocket, and give riggers a way to quickly calculate ratios and measurements commonly used in rigging.
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Clay Paky Alpha 300 Series
Clay Paky has introduced four compact 300-watt moving yoke projectors: Alpha Beam 300, Alpha Spot HPE 300, Alpha Spot 300 and Alpha Wash 300 washlight. Alpha Beam 300 pro-duces a parallel beam, similar to that of an ACL. Alpha Spot HPE 300 features zoom, CMY, 8+1 color wheel, 15 gobos, morphing effect, rotating prism, frost, dimmer on dedicated channel, iris and strobe. Alpha Spot 300 features two 8+1 color wheels, 15 gobos, morphing effect, rotating prism, dimmer on dedicated channel and strobe. Alpha Wash 300 features CMY color mixing and 8+1 color wheel, two levels of frost, dimmer on dedicated channel and strobe.
PRG Distribution • 702.942.4772 • www.prg.com
When stage manager Michael Brunner worked on South Pacific in summer stock as a younger man, he had no idea that he would one day be tackling it full force at New York’s Lincoln Center. Now the 30-year theatre veteran is the production stage manager (PSM) for the first revival of the classic Rodgers and Hammerstein show in 53 years at the Vivian Beaumont Theatre. And as he has noted — with a production that includes a large cast, prop plane and two real Navy trucks converted for stage use — the larger scale “makes a difference.” Critics and audiences are agreeing, along with celebrities like Robert Redford, Jane Alexander and David Hasselhoff, all of whom have come to check out the show.
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