The BS Factor
My buddy and I fell for a manufacturer’s BS about lumens and rented a bunch of fixtures for a client who wanted the exterior of… Read More »The BS Factor
Read More »My buddy and I fell for a manufacturer’s BS about lumens and rented a bunch of fixtures for a client who wanted the exterior of… Read More »The BS Factor
Read More »American DJ Accu Series
American DJ’s Accu Series now has two new LED-powered moving heads — the Accu Spot 250 Hybrid, shown here on top, and the Accu LED MH. The Accu Spot 250 Hybrid com-bines a 250W discharge lamp with nine 1-watt LEDs (3 red, 3 green, 3 blue). Features include seven replaceable rotating gobos plus spot (two dichroic glass gobos), nine colors plus white, sound active mode with built-in programs, RDMX remote DMX addressing, auto X-Y repositioning, 360° pan/ 265° tilt and a four-button menu system. It has a beam angle of 15° with an optional 18° beam angle (sold separately). The MSRP is $1,399.95. The nine-DMX channel Accu LED MH is a moving head with 69 red, green and blue LED beams that produce an output similar to a 250W halogen lamp, while consuming less power. Its MSRP is $999.95.
American DJ • 800.322.6337 • www.americandj.com
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What if you owned big shiny dump trucks to haul 100 tons of sand, but they leaked? And by the time the driver got to… Read More »Plug the Leaks
Read More »This year has been really strange for me in the variety of music I have been lighting. I seem to lighting quite a few heavy metal bands this year. Nothing wrong with metal mind you, I just haven’t bought into it since Deep Purple and Led Zep hung up their rock n roll shoes. (Or did they?).
Read More »In the spring of next year I am looking to do some workshops for the Mass Communications and Theater departments of a local university. These workshops will introduce how video and lighting are work hand in hand in the live production industry today. I really want to get the ball rolling and get the students hip to what cool toys we get to work with out there nowadays and no matter what major you come from you can definitely find a niche in both. It's only introductory stuff, but I'm hoping they'll enjoy the workshops and I can get rolling with some more technical stuff for them after this trial run. Here's a rough draft I started…
Read More »Transparent LED displays add a creative element to any visual designer’s tool bag. A few manufacturers are also taking the LED concept into the 3D… Read More »LED Panels are Going 3D
Read More »It’s important to become familiar with a wide range of consoles, but by learning at least one console top to bottom, you can give yourself… Read More »Learn One Console Top to Bottom
Read More »So I’m working with another heavy metal artist this week. A band called Disturbed, a popular hard music act. They are extremely nice guys. If you were stopped at a red light and they got out of the car next to you, it could make you feel a tad uneasy about the impending future. But in real life, they are just good old boys who like to play loud music.
Read More »Exile in America Tour
In 2000, Benoit Richard was working on the Matchbox Twenty Mad Season tour with lighting designer Marc Brickman. When Rob Thomas struck out on his own in 2005, he brought Richard along as the lighting designer. From his experiences with the band and its front man, Richard has compiled quite a knowledgebase about the band’s likes and dislikes. “For this tour,” he said, “our goal was to top what we had done in the past. When I showed my concept to the band, they were very excited. One band member (Paul Doucette) actually participates in the creation of the show cues with me and we worked well together this time around.
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BUSINESS
Who: Brian Friborg, President, Martin Professional, Inc. (U.S. division)
What: Manufactures automated lighting, effects lighting, LEDs, fog machines and controllers which are used in all aspects of the entertainment industry. Martin also has a line of architectural luminaires for architectural lighting applications.
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In the live entertainment industry, certainly a very important aspect of a production is the set. With today’s technology, there are many options for what to do with a stage from a scenic standpoint, including new ways to incorporate video elements into the stage.
Horao, pictured here, is one of the manufacturers allowing designers to create LED arrays showing off dynamic graphics with depth.
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In Part I of this article (PLSN, April 2008, page 50) I presented an argument for console agnosticism. Hopefully, by now you’ve had some time to think about the merits of being familiar with a wide range of consoles. These might include application specific virtues, cost factors and even political or historical reasons. So, now that we’ve got that out of the way, I’m going to tell you why you should forget everything I’ve said and spend your every waking moment learning one console.
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